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Her family eventually encourages the affair so they can pay off their debts.

It’s basically Lolita set in Vietnam with a character named Chinaman (it was a different time).

If beauty is in the eye of the beholder, then the movies have been beholding it since the very first filmmaker trained a camera on a pretty girl.

Since then, the things audiences find sexy have evolved—along with the limits on how they can be portrayed.

Sex and Lucia is internationally acclaimed and dives into the world of a writer looking for material and he soon finds it between passionate sex with a stranger and a woman who is in love with him. Hitchcock was a filmmaker in full control of his gifts when he made this crackerjack spy thriller, which starred Grant as an American agent who needs Bergman’s daughter of a Nazi spy to trek down to Brazil and insinuate herself with a band of Hitler’s finest who fled to South America after the war.

Of course they fall in love…who the hell wouldn’t fall in love with either of them?

A 15-year-old girl living in 1929 French Indochina falls in love with a wealthy Chinese man.

They engage in a passionate affair in the weeks leading up to his arranged marriage.

So this is a unicorn of a movie — about interracial tensions in the South — with a crackerjack of a sequence in which Washington’s entrepreneurial carpet cleaner finally consummates his romance with Choudhury’s motel clerk.You know the old story: two young people from opposite sides of the tracks meet cute, start spending time together, try on dresses, take psychotropic drugs, have lots of eager sex, make a murder pact. A heartbreaking romance between two musicians – named only Guy and Girl – who meet in Dublin, collaborate on breathtaking songs, and then go their separate ways.But the songs…they’re so intimate, so pregnant with barely restrained emotion, they are as sexy as anything on this list. Envy is a fundamentally human trait and for Sarah (Rampling), a British author cresting into the autumn of her years, what she envies is the life of her surprise houseguest in the French countryside, Julie (Sagnier), who sifts through one-night stands like a croupier through cards.But when Wahberg’s Dirk Diggler films his first scene, with Moore’s Amber Waves, it’s grand.Susan Sarandon has been making films that’d feature her in the all-together since the beginning of her career and saw no reason to stop in her 40s, which is when she made this May-December romance.

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